单身父亲丹尼尔·雷（布赖恩·波兰德 Brian Boland 饰）与美丽的克里斯蒂（Sprague Grayden 饰）结为夫妇，并育有可爱的孩子亨特（William Juan Prieto 饰），连同丹尼尔的女儿艾丽（Molly Ephraim 饰），一家四口过着幸福快乐的生活。2006年的某一天，他们的房子被人闯入，东西翻得乱七八糟，却几乎没有丢失任何东西。此后不久，丹尼尔请人在房子的不同角落安装了摄像头。夜深人静，万籁俱寂，摄像头却记录下一幕幕令人难以置信的画面。　　雷家的奇怪事件层出不穷，且愈演愈烈，连一向不迷信的丹尼尔也变得深为惶恐。最令他们担忧的是，一切似乎全部指向了那个刚刚1岁多的孩子——亨特。夜晚变得可怕而漫长……

1988，还是孩童的凯蒂（科萝尔·森格瑞 Chloe Csengery 饰）和克莉丝蒂（杰茜卡·泰勒·布朗 Jessica Tyler Brown 饰）随着妈妈朱莉（劳伦·彼特纳 Lauren Bittner 饰）以及继父丹尼尔（克里斯托弗·尼古拉斯·史密斯 Christopher Nicholas Smith 饰）搬入一幢全新的大房子居住。丹尼尔是摄影工作者，平时经常拿着摄像机拍来拍去。某晚他拍摄和朱莉的私生活，却在画面中看到奇怪的影响。他直觉房子内似乎藏着不为人知的秘密，于是在房间的各个角落假设摄像机日夜拍摄。　　镜头前，先是看到克莉丝蒂与看不见的“朋友”托比聊天，随后的日子里，各种恐怖离奇的事件相继发生。困扰克莉丝蒂与凯蒂多年的噩梦由此展开……

香港商界头面人物何森，以做生意为幌子，借内地某厂优质免检化工产品出口之机，不断将从我国西南边境贩来的毒品偷运进港。为彻底捣毁这个国际贩毒集团，香港警署派韦南、李彤来内地协助破案。何森与毒贩尹大华密谋，让走私匪徒化装成我边民，兵分两路声东击西偷运毒品入境。另一面，韦南、李彤遇到了重重困难，先后受伤。　　通过媒体的报道，何森误认为李彤、韦南已死，便大胆行动起来，决定亲自去毒穴云峰厂验货。李彤擒匪心切，一人乘车前往砖瓦厂，中了毒贩的圈套。生死关头，特警队长赵杰及时赶到救下李彤。　　云峰砖瓦厂的地下秘道里，一伙匪徒在紧张地包装海洛因，何森与两个外国买主正讨价还价。赵杰率众冲入秘道，毒贩被一网打尽，匪首何森被李彤捉拿归案。

After his son is framed for a kidnapping, a bereaved deacon takes justice into his own hands and fights a corrupt police gang to absolve him.

故事发生在位于拉丁美洲的秘鲁，在当地殖民的西班牙总督订购了一辆外表非常夸张的黄金马车，马车拉着一个表演喜剧意大利剧团从荷兰远道而来，而美丽聪明的卡米娜（安娜·玛格纳妮 Anna Magnani 饰）就是剧团中的一员。　　当地有一个非常有名的斗牛士，在剧团表演期间，观众的注意力全被这个斗牛士给吸引了，这让卡米娜感到非常的不高兴，但很快的，斗牛士就爱上了卡米娜。总动委托剧团前往总督府演出，实际上是为了取悦他的情人侯爵夫人。演出后，总督也爱上了卡米娜，再加上卡米娜本来的男友比利，三个男人为了争夺卡米娜而上演了一出好戏。

This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

The film deals with reincarnation and had a gothic noir feel to it. While driving his car on a rainy night, Anand's car breaks down, and he goes to seek shelter in a nearby house. He is let into the house by the servant, and he is permitted to stay until the rains stop, and he is able to get his car fixed. It is here that Anand will find out about his previous birth, his true love, Madhumati, their ill-fated, star-crossed and tragic romance, and how this the events in his previous birth are going to effect him in this life-time.

故事发生在1817年的英国，一个奇装异服的女子现身于小镇之中，没有人知道她从哪里来，也没有人知道她到底是谁。善良的沃瑞尔夫人收留了无家可归的女子，并且通过她的种种举动开始猜测女子的真实身份。最终，人们认定了这个女人是从某个遥远的东方古国里出逃的落难公主，并且称之为卡拉布公主（菲比·凯茨 Phoebe Cates 饰），对于自己的这一身份，卡拉布从来都没有明确否认过。　　卡拉布公主的名气越来越大，吸引了记者古奇的注意，甚至连摄政王都倾心于她的美貌和智慧。渐渐的，所有人都开始弄不清楚，面前的这个女人，究竟是真的高贵的公主，还是只是一个聪明的骗子。

1850年，一个遥远的法属小岛发生了一桩命案，醉了酒的渔夫（埃米尔·库斯图里卡 Emir Kusturica饰）犯下杀人罪，被判以极刑。然而这里山高皇帝远，没有铡刀之类的行刑工具，于是岛上的官员们求助于法国本部，让他们千里迢迢运来断头台。　　在这个等待的时间里，博爱善良的上尉夫人（朱丽叶·比诺什 Juliette Binoche饰）相信渔夫是一个本质不坏的人。她自从跟随丈夫来到这个荒凉的小岛之后，就一直料理着花园。如今她让渔夫帮她修整花园，干各种琐碎的家务活。渔夫和上尉夫人一同行善，还得到了居民的欢迎。上尉（丹尼尔·奥德耶 Daniel Auteuil饰）知道两人相处得日渐融洽，甚至萌生爱意，但出于对妻子无私的爱，他只是默默选择让妻子得到快乐。　　日子渐渐过去，断头台终于送到。上尉、上尉夫人和渔夫，也迎来了各人命运的转折。

前帮派成员和新婚夫妇Al和Liezl带着一大袋现金逃跑，但他们的前老板会去天涯海角寻找他们。